“Excess of the gesture in the fragility of the material: the mise en abyme of his gesture carries away the material, the color, the painting.
When the immaculate, heavy brush unbalances the densities of the forms and figures, the water transports... the image settles almost immediately and then in the accomplishment, in the course a strong rhythm like a violent breath is imposed.

Appearances, disappearances to make way for painting and painting alone. No matter what themes Michel Keymolen addresses, it is the content that emerges. (The image recalls, the painting reveals: Arika)
I look at Michel, he looks like a tightrope walker in perfect balance, wobbling with every breath, he paints...

Mireze Aerts